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	<title>Tiven Weinstock &#124; Composer &#187; Jewish music</title>
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	<description>Experimental, classical, electronic, and eclectic music.</description>
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	<copyright>Copyright &#38;#xA9; Tiven Weinstock | Composer 2010 </copyright>
	<managingEditor>tivenw@gmail.com (Tiven Weinstock | Composer)</managingEditor>
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		<title>Tiven Weinstock | Composer &#187; Jewish music</title>
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	<itunes:summary>Experimental, classical, electronic, and eclectic music.</itunes:summary>
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	<itunes:author>Tiven Weinstock | Composer</itunes:author>
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		<itunes:name>Tiven Weinstock | Composer</itunes:name>
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		<title>Nigun for the Victims of Terror</title>
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		<pubDate>Sat, 11 Sep 2010 05:22:12 +0000</pubDate>
		<dc:creator>Tiven</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[concert music]]></category>
		<category><![CDATA[Jewish music]]></category>
		<category><![CDATA[program music]]></category>
		<category><![CDATA[vocal]]></category>

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		<description><![CDATA[<p>To commemorate the 9th anniversary of 9/11, I&#8217;m releasing Nigun for the Victims of Terror, which I composed following this unprecedented event.  My feelings, like many people at the time, were primarily those of immense sadness &#8212; for the people who died that day, their family, friends and for those affected directly and indirectly.  In <span style="color:#777"> . . . &#8594; Read More: <a href="http://tivenweinstock.com/nigun/">Nigun for the Victims of Terror</a></span>]]></description>
			<content:encoded><![CDATA[<p>To commemorate the 9th anniversary of 9/11, I&#8217;m releasing <em>Nigun for the Victims of Terror</em>, which I composed following this unprecedented event.  My feelings, like many people at the time, were primarily those of immense sadness &#8212; for the people who died that day, their family, friends and for those affected directly and indirectly.  In the months afterward, I began to sing a melody, more moan or wail than music.  This eventually grew into the work heard here, scored for bass, violin, alto flute, piano, and soprano.  Unable to find words that felt right, I called the piece <em>Nigun</em>, which is a wordless prayer from the Jewish tradition.  This freed me to use the voice in a more instrumental way, combining it with alto flute and the other instruments, to create unique timbres and colors.</p>
<p><em>Nigun</em> was selected as winner of the <a href="http://www.newmusicworks.org/" target="_blank">New Music Works</a> Sound Horizons student composition competition and this recording is from the subsequent performance by New Music Works on February 23, 2002.</p>
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		<title>V&#8217;Shamru</title>
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		<pubDate>Tue, 27 Jul 2010 12:48:57 +0000</pubDate>
		<dc:creator>Tiven</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[choir]]></category>
		<category><![CDATA[Jewish music]]></category>
		<category><![CDATA[piano]]></category>

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		<description><![CDATA[<p>I wrote V&#8217;shamru for the choir of Temple Beth El in Aptos, CA.  I had this tune in my head for a couple years before using it in this piece, and if you hung out with me at all in college you probably heard me play it on piano.  Repeating the middle section, over and <span style="color:#777"> . . . &#8594; Read More: <a href="http://tivenweinstock.com/vshamru/">V&#8217;Shamru</a></span>]]></description>
			<content:encoded><![CDATA[<p>I wrote V&#8217;shamru for the choir of <a href="http://www.tbeaptos.org/" target="_blank">Temple Beth El</a> in Aptos, CA.  I had this tune in my head for a couple years before using it in this piece, and if you hung out with me at all in college you probably heard me play it on piano.  Repeating the middle section, over and over, helped me learn to play the rhythm 3-over-2 (<a href="http://www.pianoclues.com/2008/04/17/how-to-play-3-over-2-and-other-complicated-rhythms/" target="_blank">click here if you don&#8217;t know what 3 over 2 is and want to learn</a>).</p>
<p>V&#8217;shamru is a prayer religious Jews sing every Friday evening to welcome in the Sabbath, and there are likely hundreds of settings of this prayer sung around the world.  In my setting I attempted to capture a sound that could be both ancient and modern to represent every generation joining in song.</p>
<blockquote><p>Hebrew:</p>
<p>V&#8217;shamru v&#8217;nei Yisrael et ha-Shabbat,</p>
<p>La&#8217;asot et ha-Shabbat l&#8217;dorotam, b&#8217;rit olam.</p>
<p>Bei-ni u-vein b&#8217;nei Yisrael ot hi l&#8217;olam.</p>
<p>Ki shei-shet ya-mim ah-sah Adonai,</p>
<p>Et ha-sha-mayim v&#8217;et ha&#8217;aretz,</p>
<p>uva-yom hashvi&#8217;i shavat va-yi-nafash.</p>
<p>English Translation:</p>
<p>The people of Israel shall keep the Sabbath,</p>
<p>observing it in every generation as a covenant for all time.</p>
<p>It is a sign forever between me and the people of Israel,</p>
<p>for in six days the Eternal God made heaven and earth,</p>
<p>and on the seventh day God rested and was refreshed.</p></blockquote>
<p>Performed by the Temple Beth El choir with Leta Miller conducting and Malia Roberson on piano.</p>
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